Q. What is it?
A . A new collection
of recordings made in January and February, 2002 of classic,
older Synergy pieces from the 1970s and 1980s, newly
performed on digital synthesizers and recorded digitally.
(see below for the titles). These are completely new
recordings and performances, not repackaging or remastering
of the original recordings from up to 29 years
ago. Q. How did this
come about? Why even bother at this late
date? A. This collection
happened as a byproduct of preparations for a live Synergy
appearance at the Alfa-Centauri Electronic Music Festival,
Bussum, the Netherlands in March, 2002. After reconstructing
the original analog patches on turn of the 21st century
digital hardware and software synthesizers and relearning
the arrangements, it became obvious that making recordings
of the completed pieces would be a logical next step. At
first I thought that I might make new recordings in very
limited numbers for friends and associates who had been
involved with the first recordings. Then the possibility of
recording the live performance at Alfa-Centauri was
explored. But the uncertainties of making a complete
collection from a single live show is asking for trouble.
Instead, this collection was recorded under somewhat more
controlled conditions in the studio in the weeks before the
festival. Enough people expressed interest that it made
sense to put it into at least limited release. Q. Where can I get
a copy? A. The best way to get
a copy right now, or hear some online excerpts of the music,
is to go straight to the Artist
Shop
or
CD
Baby in
North America or Voiceprint
Recordings
for Europe, Asia and elsewhere. Copies will be available at
any Tony Levin Band shows and Nektar shows where I am
playing. more
info... (The first
copies were sold at the Alfa
Centauri festival
in Europe, March 2002. Copies are available at all of the
Tony
Levin Band
shows and were sold at the NEARfest
and other Nektar reunion shows in 2002 and 2003). Q. Does it still
sound like Synergy? A. I think so. We'll
have some soundclips available in the near future. You'll
have to be the judge. I can say that I got to fix a couple
of arrangement things that I never liked; the sounds are a
lot more 'present' because that scrim of hiss and
non-linearity that analog tape has is eliminated; and the
richness of the newer instrument voices make some of the old
patches sound mighty primitive. That even goes for the
tracks from Metropolitan Suite which had some early digital
synths (some with only 8 bit resolution!) and a very early
Sony digital 3324 multitrack recording and F1 mixdown
machine. Those were the early days of digital recording with
inadequate converters and huge amounts of error concealment
that gave digital a bad name back then. These new tapeless
recordings with much improved converters and some direct
from digital sounds are dramatically different from what was
available 15 years ago. I did my best to adhere to the
general feel of the original recordings of each piece and
not go nuts with a complete re-arrangement. If I was going
to spend the time doing that, I might as well use the time
for writing new material.
Artist: Larry
Fast/SYNERGY Description: New
performances, new recordings of classic Synergy electronic
music pieces. Digital synthesizers, digital recordings. Titles: [1] RELAY
BREAKDOWN (6:50) [2] WARRIORS
(12:43) [3] S-SCAPE
(6:10) [4] ORBIT 5
(0:58) [6] FLIGHT OF
THE LOOKING GLASS (3:36) Metropolitan Suite
(abridged) [10] INTO THE
ABYSS (8:16) total time
56:14 Production &
Engineering, Performance and Programming by Larry Fast for
SYNERGY® Electronic Music, Inc. All compositions
written by Larry Fast and published by Semiconductor Music
Publishing (ASCAP) Most tracks were
recorded January 2 through February 12, 2002 at the Synergy
Studio on the edge of the Great Swamp, Morris County, New
Jersey. "Flight of the Looking Glass" was recorded live on
tour, May 2000.
Antique Edison
voltmeter and early 20th Century electrical catalog images
from Larry Fast's technology artifacts collection. Digital
photography, photo manipulations and design by
LF. Additional information
about Synergy is available at http://synergy-emusic.com THIRD CONTACT, PO Box
425, Berkeley Heights, NJ 07933, USA ® & ©
2002 Synergy® Electronic Music, Inc. SYNERGY® is a
registered US trademark used by permission of Synergy®
Electronic Music, Inc. All rights reserved. Unauthorized
duplication is a violation of applicable laws.
©2002-2003 Synergy®
Electronic Music, Inc. This page was last updated on
December 7, 2003
CD Title: "Reconstructed Artifacts"
US Label: Third Contact
Release Number: 3CR-1010
UK Label: Voiceprint Recordings
Release Number: VP272CD
Availability: late March 2002 (US/Canada), September
2003(Europe/Asia/South America/Australia)
originally recorded January, 1975 for Electronic
Realizations for Rock Orchestra
originally recorded January, 1975 for Electronic
Realizations for Rock Orchestra
originally recorded January, 1976 for
Sequencer
[5] ANCESTORS (5:34)
originally recorded March, 1981 for Audion
originally recorded February, 1981 for
Audion
originally recorded September 1986 for Metropolitan
Suite
[7] NORTH RIVER (1:22)
[8] STEAM AND STEEL TOWERS (6:16)
[9] METROPOLITAN THEME (Main Theme)
(4:10)
originally recorded October, 1986 for Metropolitan
Suite
Sounds were programmed on instruments manufactured by
Kurzweil, E-mu Systems and Roland Corporation; software
instruments by BitHeadz. Mellotron samples from the original
instruments were reproduced using a Kurzweil K2000.
Principal MIDI and audio recording was done with Mark of the
Unicorn Digital Performer. MIDI and audio interfaces
by Mark of the Unicorn. Final editing and mastering was
completed in BIAS Peak. DSP plug-ins for recording and
mastering provided by Waves, Ltd. CD replication masters
were created using Digidesign® MasterList CD.
Apple® Computer, Inc. Macintosh computers were
used exclusively in creating this recording and artwork.
synergy@synergy-emusic.com